
JW thinks the painting looks better upside down.




For tonight's painting class, I decided to go back to acrylics, since the oils are too difficult to transport while wet. 
So I mixed a lighter and more muted brownish gray purple and then dripped on some off-white. Kind of "broke the rules" by going with very thinned down paint over very "fat" paint.




"Maple Tree" looks completely different from the previous week. It had been mostly burgundy and violet. At class I put in broad strokes of "lights" in different shades of green with a lot of guidance from Shilo. It didn't feel intuitive at all, painting over all that other brushwork I had already done. But Shilo said "you'll see" and that I should step away from it for a while. She said to go home and put in the darks, using different brush size, brush stroke, etc. I think I went a little overboard--it's looking a bit busy, although it does look reminiscent of my Japanese maple...